Black Portraiture: ‘Looking At’ Or ‘Seeing Through’?J.J. CharlesworthReviewsArtReview03 May 2024‘The Time is Always Now’ at the National Portrait Gallery, London surveys the ‘Black Figure’ as both a genre and critical concept
Is Feminism in Its ‘Flop Era’?Amelia AbrahamOpinionartreview.com03 May 2024Alice Cappelle’s ‘Collapse Feminism’ looks at how internet trends and algorithms have ushered in a backlash against women’s rights
‘Trophy Lives’ by Philippa Snow Review: Inescapably HumanEliza GoodpastureBook ReviewsArtReview03 May 2024Snow’s study of the celebrity as an art object reveals something deeper about our relationship to beauty
Pao Houa Her’s Family IllusionsDavid TerrienBook ReviewsArtReview Asia02 May 2024‘My grandfather turned into a tiger…’ collects the artist’s landscapes and portraits that occupy an in-between space
Art Under a Thousand SunsAlexander LeissleReviewsArtReview02 May 2024From Fukushima to the primal body, Yoi Kawakubo and Nao Matsunaga’s ‘Time Capsule’ at Yamamoto Keiko Rochaix, London explores ways of making meaning beyond language
‘Evil Does Not Exist’ Review: The Arts of NoticingYuwen JiangReviewsArtReview Asia02 May 2024Ryusuke Hamaguchi’s new film plays out like a fable recording the clash between capitalist extraction and ecological wellbeing
Pierre Huyghe receives the Grand Prix of the Fondation Simone et Cino Del Duca 2024ArtReviewNewsartreview.com01 May 2024The award ceremony will take place at the Institut de France on 19 June
Introducing ART OnO, a New Intervention in the Korean Art MarketArtReviewPartnership with ART OnOartreview.com01 May 2024Watch members of the ART OnO community reflect on the inaugural edition of the Korean art fair
‘The Understory’ by Saneh Sangsuk Review: Tall TalesMax Crosbie-JonesBook ReviewsArtReview Asia01 May 2024Sangsuk’s latest novel is part parable, part paean to the ‘forest ethics’ and natural world of the author’s youth
Writing Practice: La RabbiaAdam ThirlwellOpinionArtReview01 May 2024What aesthetic strategies can make sense of an unstable present? Adam Thirlwell looks to forms of art with a strong theoretical component