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Art Lovers Movie Club: Anand Patwardhan, ‘Images you didn’t see’

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Welcome to Art Lovers Movie Club, where you’ll find a selection of artists’ videos available exclusively online at artreview.com.

Streaming this month in ArtReview’s Art Lovers Movie Club, Anand Patwardhan’s Images you didn’t see (2006): ‘a music video that interprets images gleaned from the net – images that either never appear in the mainstream media, or images whose import are masked behind a velvet curtain of global infotainment.’

‘Global censorship of the war on Iraq has stifled the outrage that may have otherwise curtailed the ongoing atrocity of occupation. Not only have the real causes of war been hidden but also its effects. Most people see a sanitized and falsified version that feeds their complacence and sedates their conscience. But one place where the truth cannot be totally hidden is the Internet.’

Images you didn’t see, 2006

Production, Direction and Editing – Anand Patwardhan
Internet Research – Abhay Mehta
Music Lyrics – Bob Dylan
Sung by Peter, Paul and Mary
Special Thanks – Anonymous chroniclers of the Iraq war

Screening dates:
Anand Patwardhan, Images you didn’t see (2006): 22 October – 12 November 2021

Previous films in Art Lovers Movie Club include Luis Roque’s Heaven, screened 18–25 March 2020; Wong Ping’s An Emo Nose (2015), screened 26–31 March 2020; Laure Prouvost’s Shed A Light (2018), screened 2–9 April 2020; Alex Da Corte’s TRUƎ LIFƎ and BAD LAND (2017), screened 9–15 April 2020; Stine Deja’s 4K ZEN (2017), screened 17–23 April 2020; Daniel Steegmann Mangrané’s Fog Dog, screened 24–30 April 2020; Ivens Machado’s Versus (1974), screened 11–19 May 2020; Roger Hiorns’s BENIGN (2005), screened 15–21 May 2020; Jennet Thomas’s ANIMAL CONDENSED>>ANIMAL EXPANDED#2 (2018), screened 5–12 June 2020; Larry Achiampong’s The Expulsion (2019), screened 12-22 June 2020; Shezad Dawood’s Leviathan Cycle (2017-2018), screened 21 May–26 June 2020; Heman Chong’s Changi Airport Terminal 3 (Singapore Circuit Breaker Day 10, 16 April 2020) 4K 60 Binaural Walk 263 (2020), screened 26 June–3 July 2020; Berwick Street Film Collective’s Nightcleaners (1975), screened 3–17 July 2020; Tuan Andrew Nguyen’s We Were Lost in Our Country (2019), screened 17–31 July 2020; Grace Schwindt, Only a Free Individual Can Create a Free Society (2014), screened 721 August 2020; Hayoun Kwon, 489 Years (2016), screened 2–16 October 2020; Tulapop Saenjaroen, People on Sunday (2019), screened 16 October–2 November 2020; Grada Kilomba, A World of Illusions (2017-2019), screened 4–25 November 2020; Shen Xin, Provocation of a Nightingale #1 (2017), screened 15 January – 8 February 2021; Charwei Tsai, Hear Her Singing (2017), screened 8 February – 1 March 2021; Gelare Khoshgozaran, Medina Wasl: Connecting Town (2018) and Men of My Dreams (2020), screened 2 – 23 March 2021; Lu Yang, Delusional Mandala (2015), Delusional Crime and Punishment (2016) and Delusional World (2020), screened 24 March – 14 April 2021; Xiaowen Zhu, Oriental Silk (2015), screened 23 April – 14 May 2021; Alia Ali, Mahjar (2020), screened 20 May – 10 June 2021; Chris Zhongtian Yuan, Wuhan Punk (2020), screened 11 June – 2 July 2021; Alberta Whittle, HOLDING THE LINE: a refrain in two parts (2021), screened 18 June – 17 July 2021; Maya Schweizer, Clemens von Wedemeyer, Metropolis. Report from China (2004-06), screened 13 July – 3 August 2021; Chim↑Pom, Black of Death (2013), screened 17 August – 7 September 2021; Richard Fung, Dirty Laundry (1996): screened 8 – 30 September 2021; Clarissa Tossin, Ch’u Mayaa (2017): screened 1–22 October 2021.

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