Perhaps it’s a sign of the times that visitors to this year’s Turner Prize at Tate Britain were queuing to take photographs of each other in front of a 5m-high sculpture of a man’s bare bottom and thighs, hands gently pulling his cheeks apart. Anthea Hamilton’s Project for Door (After Gaetano Pesce) (2016) is part of the reworking of the London-born artist’s 2015 show Lichen! Libido! Chastity! at Sculpture Center in New York, for which she received her Turner nomination.…
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