I could argue that Varda Caivano has in productive and meaningful ways been painting versions of the same painting – her painting – ever since I first met her in 2002, soon after she had started the MA in Painting course at the Royal College of Art, London, and I had begun a two-year stint there as visiting professor of painting. Writing this now, I am looking at the small takeaway card she produced for the RCA’s degree show in…
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