In 1990 Geoffrey Farmer started writing notes to strangers on public buses. In those days, in Vancouver, buses issued paper ‘transfers’, a time-limit punched into its thin newsprint, which enabled passengers to change buses and continue their journey. Farmer rode the bus with an old typewriter on his lap, rolled the transfers into its creaky frame and tried to write a tiny note-poem for a stranger before he or she alighted. One of them read, ‘I can see the dog…
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