An introduction to the 2014 ArtReview Power 100

After 13 years, the power-ranking business isn’t getting any easier

That's partly because there’s so much of this contemporary art stuff around. And most of it is no longer only in New York, London and Paris. Is one of the consequences of the much-vaunted ‘globalisation’ of contemporary art that no one person can be globally influential? Do disparate art scenes mean that art works in different ways in different places? When we talk about the ‘artworld’, are we talking about a system of distribution rather than anything to do with…

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