March 2015

Featuring: FutureGreats – our annual guide to the artists who are setting new agendas in relation to the role and social relevance of art; Lord Krishna on the art industry, interviewed by Matthew Collings; No Past, No Future: How ‘the new’ became ‘the now’ – the latest instalment of ArtReview’s ongoing investigation into contemporary art’s obsession with novelty, by J.J. Charlesworth; Somewhere sideways, down, at an angle, but very close by – an artist project by Florian Meisenberg

Issue

In Art Previewed

Ten March exhibitions you won’t want to miss. By Martin Herbert

Björk at MoMA, New York

Les Oracles at XPO, Paris

Simon Ling at Bergen Kunsthall

Paul Johnson at Focal Point, Southend-on-Sea

Possibilities of the Object: Experiments in Modern and Contemporary Brazilian Art at Fruitmarket, Edinburgh;

Ydessa Hendeles at ICA, London

Body Talk: Feminism, Sexuality and the Body in the Work of Six African Women Artists at Wiels, Brussels

Julia Dault at Marianne Boesky, New York

Juliette Blightman at Isabella Bortolozzi, Berlin

Pennacchio Argentato at T293, Naples (offsite project in Naples bank)

Points of View – our writers on what’s happening in the artworld and beyond:

Lucas Ospina on the storytelling surrounding the production of art

Maria Lind on the transforming wonders of nature in the work of Ingela Ihrman

Sam Jacob on the end of architecture, and whether or not the best works of real architecture are in fact works of art

Jonathan T.D. Neil on the search for values in contemporary art beyond those ‘dictated’ by the market

Stefanie Hessler on Cuba and what its new international relations means for art

Andrew Berardini on how to get rid of the modernist hangover that is the White Cube

Jonathan Grossmalerman, painter of vaginas, on how to penetrate the mystery of the gaze

Mark Rappolt on the Singapore Tyler Print Institute.

Great Critics and Their Ideas: 

Lord Krishna on the art industry, interviewed by Matthew Collings

In Art Featured

FutureGreats: our annual guide to the artists who are setting new agendas in relation to the role and social relevance of art, selected by fellow artists, critics and curators

Jarbas Lopes, selected by Fernanda Gomes

Robert Davis, selected by Rashid Johnson

Pia Camil, selected by Gabriela Jauregui

Maeve Brennan, selected by Phillip Lai

Vicky Wright, selected by J.J. Charlesworth

Ayesha Sultana, selected by Maria Lind

Anne Imhof, selected by Laura McLean-Ferris

Ádám Kokesch, selected by Dóra Maurer

Asim Waqif, selected by Dieter Roelstraete

Rodrigo Hernández, selected by Chris Sharp

Oscar Neuestern, selected by Mario García Torres

Bùi Công Khánh, selected by Zoe Butt

Rachelle Sawatsky, selected by Andrew Berardini

Gian Maria Tosatti, selected by Mike Watson

Delcy Morelos, selected by Lucas Ospina

Senzeni Mthwakazi Marasela, selected by Koyo Kouoh

Ma Qiusha, selected by Song Dong

Kathryn Elkin, selected by Fatoş Üstek

Mia Feuer, selected by Graham Harman

Cyrill Lachauer, selected by Bonaventure Soh Bejeng Ndikung

Nikita Kadan, selected by Oliver Basciano

Yan Xing, selected by Aimee Lin

Ayrson Heráclito, selected by Adriano Pedrosa

No Past, No Future: How ‘the new’ became ‘the now’,

The latest instalment of ArtReview’s ongoing investigation into contemporary art’s obsession with novelty, by J.J. Charlesworth.

Somewhere sideways, down, at an angle, but very close by

An artist project by Florian Meisenberg.

In Art Reviewed

Reviews from around the world:

The Divine Comedy at MMK, Frankfurt

Melvin Edwards at Stephen Friedman Gallery, London

Jonathan Meese at Modern Art, London

Samara Scott at The Sunday Painter, London

Caragh Thuring at Chisenhale Gallery, London

Daniel Guzmán at Drawing Room, London

Dexter Dalwood at Simon Lee Gallery, London

Agnieszka Polska at Nottingham Contemporary

Robert Olsen at Luckman Fine Arts Complex, Los Angeles

Alma Allen at Blum & Poe, Los Angeles

Diana Thater at David Zwirner, New York

Rashaad Newsome at Marlborough Gallery, New York

Kara Walker at Sikkema Jenkins & Co, New York

Robert Gober at MOMA, New York

Susan Philipsz at Tanya Bonakdar Gallery, New York

Yael Bartana at Petzel Gallery, New York

Yael Bartana at Capitain Petzel, Berlin

Richard Hawkins at Galerie Buchholz, Berlin

Paolo Icaro at Peep-Hole, Milan

Carla Arocha and Stéphane Schraenen at Cultuurcentrum Mechelen, Belgium

The Unwinding at Cookie Butcher, Antwerp

The Alien Within at Malmö Konstall

Alexander Gutke at Belenius / Nordenhake, Stockholm

Aluminum Song at Raster Gallery, Warsaw

Anarchy. Utopia. Revolution. at Ludwig Museum, Budapest

Sahin Kaygun at Istanbul Modern

Niamh O’Malley at Douglas Hyde Gallery, Dublin

Abraham Cruzvillegas at Museo Jumex, Mexico City and Museo Amparo, Puebla

Léon Ferrari at Museo de Arte Moderno de Buenos Aires (MAM)

Lee Mingwei at Mori Art Museum, Tokyo

Sean Scully at Shanghai Himalayas Museum

Books

I’m Not Here to Give a Speech, by Gabriel García Márquez

Molecular Red: Theory for the Anthropocene, by McKenzie Wark

Albert York, by Bruce Hainley, Calvin Tomkins and Fairfield Porter

10:04, by Ben Lerner

The Strip: A new work from Maurice Vellekoop, introduced by Paul Gravett

Off the Record: Gallery Girl on FutureGreats