ArtReview January & February 2018

Featuring 2018 Future Greats, manifestos, Brian Belott, international exhibition reviews and previews, opinion, book reviews, The Strip, I. Kurator and more

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Inside this issue


Martin Herbert’s pick of ten must-see exhibitions in January and February in London, Dublin, New York, Düsseldorf, Copenhagen, Toronto and Brussels

Under the Paving Stones: Phoebe Blatton visits Warsaw

American artist and performer Brian Belott on what separates a professional artist from the ‘pedestrian artist’ and his obsession with Dada, interviewed by Ross Simonini


2018 Future Greats: our annual guide to the artists who are setting new agendas in relation to the role and social relevance of art, selected by fellow artists, critics and curators, set alongside artists’ responses to the idea of ‘frontiers’...

Terreyro Coreográfico, selected by Bernardo Mosqueira

Khalil El Ghrib, selected by Reem Fadda

Turiya Magadlela, selected by Sue Williamson

biriken, selected by Nil Yalter

Amitai Romm, selected by Chris Fite-Wassilak

Matthew Angelo Harrison, selected by Cécile B. Evans

Dineo Seshee Bopape, selected by Osei Bonsu

Giulia Bruno, selected by Mark Rappolt

Chen Zhou, selected by Venus Lau

Protesters, 2017, selected by Jeremy Deller

Kang Jungsuck, selected by Kim Sunjung


Reviews from around the world...

Poor Art / Arte Povera: Italian Influences, British Responses and Gino de Dominicis at Estorick Collection and Luxembourg & Dayan, both London, by Ben Eastham
Abstract Hungary at Künstlerhaus, Halle für Kunst & Medien, Graz, by Mark Rappolt
Folklore: A Controversy with Works from the Collections at Museum der Moderne, Salzburg, by Martin Herbert
Ali Kazma at Jeu de Paume, Paris, by Aoife Rosenmeyer
Preis der Nationalgalerie 2017 at Hamburger Bahnhof, Berlin, by Raimar Stange
The Yellow Wallpaper at Ginerva Gambino, Cologne, by Moritz Scheper
Beth Laurin at Index – The Swedish Contemporary Art Foundation, Stockholm, by Stefanie Hessler
Pressure / Imprint at Malmö Konsthall, by Kristian Vistrup Madsen
Carola Bonfili at Smart, Rome, by Mike Watson
Raša Todosijević at Handel Street Projects, London, by Chris Fite-Wassilak
Julian Rosefeldt’s Manifesto, at London Film Festival/British Film Institute by David Terrien
Luciano Fabro at Simon Lee Gallery, London, by Gabriel Coxhead
Kati Heck at Sadie Coles HQ, Kingly Street, London, by J. J. Charlesworth
Ad Minoliti, Aleksandra Domanović, Dis, Lynn Hershman Leeson, Vikky Alexander, Wang Newone at Project Native Informant, London, by Matthew McLean
Simone Fattal at Heni Publishing, London, by Isabella Smith
Puppies Puppies at Overduin & Co, Los Angeles, by Jonathan Griffin
Laura Owens at Whitney Museum of American Art, New York, by Cat Kron
Lewis Stein at Essex Street, New York, by Jeppe Ugelvig
Gerard Byrne at Lisson Gallery, New York, by Wendy Vogel
Prospect.4 at various locations, New Orleans, by Sam Korman


Books

The New Poverty, by Stephen Armstrong
Out of Nothing, by Daniel Locke with David Blandy
ARTIST / WORK / LISSON, edited by Ossian
Ward Are We Human? Notes on an Archaeology of Design, by Beatriz Colomina and Mark Wigley


Plus...

A new strip by Joe Kessler; I. Kurator hires a new assistant and looks forward to opportunities in the new year