{"componentChunkName":"component---src-templates-article-js","path":"/in-pictures-2027-deutsche-borse-photography-prize-shortlist-announced/","result":{"data":{"wordpressPost":{"id":130551,"slug":"in-pictures-2027-deutsche-borse-photography-prize-shortlist-announced","title":"In Pictures: 2027 Deutsche Börse Photography Prize shortlist announced","excerpt":"The four shortlisted artists are Hoda Afshar, Lotus L. Kang, Sasha Kurmaz and Salvatore Vitale","content":"\n<p>The Deutsche Börse Photography Foundation Prize has announced the four shortlisted artists for its 2027 edition. The selected artists are <strong><a href=\"https://artreview.com/photographer-hoda-afshar-documents-the-mystery-and-malice-of-the-wind/\" target=\"_blank\" rel=\"noreferrer noopener\">Hoda Afshar</a></strong>, <strong>Lotus L. Kang</strong>, <strong>Sasha Kurmaz</strong> and <strong>Salvatore Vitale</strong>. </p>\n\n\n\n<p>Established in 1996 by The Photographers’ Gallery, London, and partnered with the Deutsche Börse group since 2005, the prize recognises artists for an exhibition or book that has made a ‘significant contribution to photography’ in the past year. Previous winners include <a rel=\"noreferrer noopener\" href=\"https://artreview.com/under-embargo-rene-matic-wins-2026-deutsche-borse-photography-foundation-prize/\" target=\"_blank\">Rene Matić</a>,  <a rel=\"noreferrer noopener\" href=\"https://artreview.com/lindokuhle-sobekwa-wins-2025-deutsche-borse-photography-foundation-prize/\" target=\"_blank\">Lindokuhle Sobekwa</a>, <a rel=\"noreferrer noopener\" href=\"https://artreview.com/lebohang-kganye-wins-2024-deutsche-borse-photography-foundation-prize/\" target=\"_blank\">Lebohang Kganye</a> and <a rel=\"noreferrer noopener\" href=\"https://artreview.com/samuel-fosso-wins-the-2023-deutsche-borse-photography-foundation-prize/\" target=\"_blank\">Samuel Fosso</a>. </p>\n\n\n\n<p>This year’s jury comprises Laia Abril, multidisciplinary artist; Damarice Amao, associate curator for photography at the Musée National d’Art Moderne / Centre Pompidou, Paris; Verónica Fieiras, artist, editor and publisher (CHACO); Anne-Marie Beckmann, Director of Deutsche Börse Photography Foundation and Shoair Mavlian, Director of The Photographers’ Gallery, as voting chair.</p>\n\n\n\n<p>‘From century-old photographic archives to radical contemporary experiments, the 2027 shortlist proves how urgently photography speaks to our times. The nominated projects are both rigorous and profoundly moving’, said Beckmann in a statement. </p>\n\n\n\n<p>Work by the four selected artists will be on view at The Photographers’ Gallery from 10 March – 6 June. </p>\n\n\n\n<p>The winner of the £30,000 prize will be announced in April. The remaining shortlisted artists will each receive £5,000.</p>\n\n\n\n<p><strong>Explore the shortlist:</strong></p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" width=\"1230\" height=\"820\" src=\"https://backend.artreview.com/wp-content/uploads/2026/10/View-of-the-exhibition-Hoda-Afshar.-Performing-the-Invisible21-copy-1230x820.jpg\" alt=\"Close-up installation photograph of a compilation of black and white images of women wearing niqabs and children.\" class=\"wp-image-130591\" srcset=\"https://backend.artreview.com/wp-content/uploads/2026/10/View-of-the-exhibition-Hoda-Afshar.-Performing-the-Invisible21-copy-1230x820.jpg 1230w, https://backend.artreview.com/wp-content/uploads/2026/10/View-of-the-exhibition-Hoda-Afshar.-Performing-the-Invisible21-copy-600x400.jpg 600w, https://backend.artreview.com/wp-content/uploads/2026/10/View-of-the-exhibition-Hoda-Afshar.-Performing-the-Invisible21-copy-300x200.jpg 300w, https://backend.artreview.com/wp-content/uploads/2026/10/View-of-the-exhibition-Hoda-Afshar.-Performing-the-Invisible21-copy-768x512.jpg 768w, https://backend.artreview.com/wp-content/uploads/2026/10/View-of-the-exhibition-Hoda-Afshar.-Performing-the-Invisible21-copy-1536x1024.jpg 1536w, https://backend.artreview.com/wp-content/uploads/2026/10/View-of-the-exhibition-Hoda-Afshar.-Performing-the-Invisible21-copy.jpg 1860w\" sizes=\"(max-width: 1230px) 100vw, 1230px\" /><figcaption>Hoda Afshar, from the series <i>The Fold</i>, 2019-25. Courtesy the artist and Milani Gallery, Brisbane</figcaption></figure>\n\n\n\n<h2><strong>Hoda Afshar</strong></h2>\n\n\n\n<p>Hoda Afshar is shortlisted for the exhibition <em>Performing the Invisible</em> that took place at the Musée du Quai Branly –&nbsp;Jacques Chirac, Paris from 30 September 2025 to 25 January 2026. Through photographs, drawings, mirrors, videos and sound installations, she explores notions of established perspectives and photography as a tool of resistance. In particular in her series <em>The Fold</em>, she examines the legacy of colonial photographic practice and how they continue to shape the way veiled Islamic bodies are perceived. </p>\n\n\n\n<hr class=\"wp-block-separator\"/>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" width=\"1230\" height=\"1844\" src=\"https://backend.artreview.com/wp-content/uploads/2026/10/LOTUS_10-1230x1844.jpg\" alt=\"Installation image of Lotus L Kang’s work in situ at the Giardini della Biennale, Venice. In the photo, close up images are hanging from the ceiling fixtures.\" class=\"wp-image-130607\" srcset=\"https://backend.artreview.com/wp-content/uploads/2026/10/LOTUS_10-1230x1844.jpg 1230w, https://backend.artreview.com/wp-content/uploads/2026/10/LOTUS_10-600x899.jpg 600w, https://backend.artreview.com/wp-content/uploads/2026/10/LOTUS_10-300x450.jpg 300w, https://backend.artreview.com/wp-content/uploads/2026/10/LOTUS_10-768x1151.jpg 768w, https://backend.artreview.com/wp-content/uploads/2026/10/LOTUS_10-1025x1536.jpg 1025w, https://backend.artreview.com/wp-content/uploads/2026/10/LOTUS_10.jpg 1313w\" sizes=\"(max-width: 1230px) 100vw, 1230px\" /><figcaption><i>The face of desire is loss</i>, 2026 (installation view, Bvlgari Pavilion, Giardini della Biennale, Venice). Courtesy the artist; Bvlgari; Commonwealth and Council; Franz Kaka, Toronto; Kukje Gallery, Seoul and Esther Schipper. Photo: Andrea Rossetti</figcaption></figure>\n\n\n\n<h2><strong>Lotus L. Kang</strong></h2>\n\n\n\n<p>Lotus L. Kang is selected for her exhibition <em>The face of desire is loss</em>, on view at the Bulgari Pavilion at the Venice Biennale through 22 November. Kang considers how bodies change over time. In her work, she suspends lengths of unfixed photographic film from steel joists, displaying how they react to their environment. </p>\n\n\n\n<hr class=\"wp-block-separator\"/>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" width=\"1230\" height=\"1610\" src=\"https://backend.artreview.com/wp-content/uploads/2026/10/Untitled_RH_11-e1793273312114-1230x1610.png\" alt=\"Collage featuring two photographs: one image is a close up of a man’s bloodshot eyes and injured face. The second image is a burnt out building.\" class=\"wp-image-130612\" srcset=\"https://backend.artreview.com/wp-content/uploads/2026/10/Untitled_RH_11-e1793273312114-1230x1610.png 1230w, https://backend.artreview.com/wp-content/uploads/2026/10/Untitled_RH_11-e1793273312114-600x785.png 600w, https://backend.artreview.com/wp-content/uploads/2026/10/Untitled_RH_11-e1793273312114-300x393.png 300w, https://backend.artreview.com/wp-content/uploads/2026/10/Untitled_RH_11-e1793273312114-768x1005.png 768w, https://backend.artreview.com/wp-content/uploads/2026/10/Untitled_RH_11-e1793273312114-1173x1536.png 1173w, https://backend.artreview.com/wp-content/uploads/2026/10/Untitled_RH_11-e1793273312114-1565x2048.png 1565w, https://backend.artreview.com/wp-content/uploads/2026/10/Untitled_RH_11-e1793273312114.png 1845w\" sizes=\"(max-width: 1230px) 100vw, 1230px\" /><figcaption>Sasha Kurmaz, from <i>Red Horse</i>, 2022–25. © The artist</figcaption></figure>\n\n\n\n<h2><strong>Sasha Kurmaz</strong></h2>\n\n\n\n<p><strong>S</strong>asha Kurmaz is recognised for the publication <em>Red Horse</em> published by Éditions Images Vevey in November 2025. The 800-page publication, started in 2022 following Russia&#8217;s fullscale invasion of Ukraine, is a visual diary composed of handmade collages that recount the constant reshaping of life in Ukraine by war.</p>\n\n\n\n<hr class=\"wp-block-separator\"/>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" width=\"638\" height=\"850\" src=\"https://backend.artreview.com/wp-content/uploads/2026/10/Salvatore_Vitale_Death_by_GPS_06.jpg\" alt=\"Colour film still of an explosion with debris flying in the air. In the centre a fire burns.\" class=\"wp-image-130626\" srcset=\"https://backend.artreview.com/wp-content/uploads/2026/10/Salvatore_Vitale_Death_by_GPS_06.jpg 638w, https://backend.artreview.com/wp-content/uploads/2026/10/Salvatore_Vitale_Death_by_GPS_06-600x799.jpg 600w, https://backend.artreview.com/wp-content/uploads/2026/10/Salvatore_Vitale_Death_by_GPS_06-300x400.jpg 300w\" sizes=\"(max-width: 638px) 100vw, 638px\" /><figcaption>Salvatore Vitale, <i>Listen All Y’All, It’s a Sabotage</i> (still), 2022, from <i>Death by GPS</i>, 2022–26. © The artist</figcaption></figure>\n\n\n\n<h2><strong>Salvatore Vitale</strong></h2>\n\n\n\n<p><strong>S</strong>alvatore Vitale is shortlisted for the exhibition <em>SABOTAGE </em>that took place at Photo Elysée, Lausanne from 6 March to 31 May. Vitale makes visible the hidden human labour that sustains the digital economy and uses the notion of sabotage to explore the possibility of resistance and agency within systems of control. </p>\n","path":"/in-pictures-2027-deutsche-borse-photography-prize-shortlist-announced/","format":"standard","date":"29 October 2026","rawDate":"2026-10-29T13:24:18.000Z","branch":{"name":"artreview.com"},"author":{"name":"ArtReview","path":"/author/artreviewartreview-com/"},"category":{"name":"News","path":"/category/news/"},"featured_media":{"source_url":"https://backend.artreview.com/wp-content/uploads/2026/10/View-of-the-exhibition-Hoda-Afshar.-Performing-the-Invisible21-copy.jpg","caption":"Hoda Afshar, from the series <i>The Fold</i>, 2019-25. Courtesy the artist and Milani Gallery, Brisbane","alt_text":"Close-up installation photograph of a compilation of black and white images of women wearing niqabs and children.","media_details":{"width":1860,"height":1240,"sizes":{"thumbnail":{"source_url":"https://backend.artreview.com/wp-content/uploads/2026/10/View-of-the-exhibition-Hoda-Afshar.-Performing-the-Invisible21-copy-300x200.jpg","width":300,"height":200},"medium":{"source_url":"https://backend.artreview.com/wp-content/uploads/2026/10/View-of-the-exhibition-Hoda-Afshar.-Performing-the-Invisible21-copy-600x400.jpg","width":600,"height":400},"large":{"source_url":"https://backend.artreview.com/wp-content/uploads/2026/10/View-of-the-exhibition-Hoda-Afshar.-Performing-the-Invisible21-copy-1230x820.jpg","width":1230,"height":820},"wordpress_1536x1536":{"source_url":"https://backend.artreview.com/wp-content/uploads/2026/10/View-of-the-exhibition-Hoda-Afshar.-Performing-the-Invisible21-copy-1536x1024.jpg","width":1536,"height":1024},"wordpress_2048x2048":null}}},"acf":{"article_artist":null,"article_video":null,"article_audio":null,"article_collaboration":"","article_custom_html_snippet":"","article_featured_title":"","article_featured_description":"","article_highlight":false,"article_custom_link_url":"","hero_image":null,"seo_title":"In Pictures: Deutsche Börse Photography Prize 2027 shortlist announced | ArtReview","seo_description":"The Deutsche Börse Photography Foundation Prize has announced the four shortlisted artists for its 2027 edition. The selected artists are Hoda Afshar, Lotus L. Kang, Sasha Kurmaz and Salvatore Vitale. Explore their work in pictures here.","article_related_articles":[{"id":130388,"title":"Rudi Fuchs, former director of Stedelijk Museum, 1942–2026","path":"/rudi-fuchs-former-director-of-stedelijk-museum-1942-2026/","author":{"name":"ArtReview","path":"/author/artreviewartreview-com/"},"category":{"name":"News","path":"/category/news/"},"featured_media":{"source_url":"https://backend.artreview.com/wp-content/uploads/2026/10/Rudi_Fuchs_1985-1.png","caption":"","alt_text":"","media_details":{"width":1024,"height":768,"sizes":{"thumbnail":{"source_url":"https://backend.artreview.com/wp-content/uploads/2026/10/Rudi_Fuchs_1985-1-300x225.png","width":300,"height":225},"medium":{"source_url":"https://backend.artreview.com/wp-content/uploads/2026/10/Rudi_Fuchs_1985-1-600x450.png","width":600,"height":450},"large":null,"wordpress_1536x1536":null,"wordpress_2048x2048":null}}},"acf":{"article_collaboration":""}},{"id":130307,"title":"More departures at National Gallery Singapore","path":"/more-departures-at-national-gallery-singapore/","author":{"name":"ArtReview","path":"/author/artreviewartreview-com/"},"category":{"name":"News","path":"/category/news/"},"featured_media":{"source_url":"https://backend.artreview.com/wp-content/uploads/2026/10/National-Gallery-Singapore_Atrium.png","caption":"","alt_text":"","media_details":{"width":2000,"height":1331,"sizes":{"thumbnail":{"source_url":"https://backend.artreview.com/wp-content/uploads/2026/10/National-Gallery-Singapore_Atrium-300x200.png","width":300,"height":200},"medium":{"source_url":"https://backend.artreview.com/wp-content/uploads/2026/10/National-Gallery-Singapore_Atrium-600x399.png","width":600,"height":399},"large":{"source_url":"https://backend.artreview.com/wp-content/uploads/2026/10/National-Gallery-Singapore_Atrium-1230x819.png","width":1230,"height":819},"wordpress_1536x1536":{"source_url":"https://backend.artreview.com/wp-content/uploads/2026/10/National-Gallery-Singapore_Atrium-1536x1022.png","width":1536,"height":1022},"wordpress_2048x2048":null}}},"acf":{"article_collaboration":""}},{"id":130211,"title":"Róng Museum of Art picks curatorial team ahead of opening","path":"/rong-museum-of-art-picks-curatorial-team-ahead-of-opening/","author":{"name":"ArtReview","path":"/author/artreviewartreview-com/"},"category":{"name":"News","path":"/category/news/"},"featured_media":{"source_url":"https://backend.artreview.com/wp-content/uploads/2026/10/image001.jpg","caption":"Freya Chou, Li Jia, and Susanna Zhu. 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