Globetrotting artist of the everyday object
In 2017 audiences in Bremen, Bolzano, Bonn, Göteborg, Lund, Malmö, Leverkusen, Paris, Gwacheon, Hong Kong, New York, Belluno, London and Newport Beach got to see Yang’s sensorial and conceptual assemblages of industrial, domestic and folk materials in various group exhibitions and biennials. She had solo exhibitions at Kurimanzutto, Mexico City (her first with the gallery), KINDL Berlin and Kunsthaus Graz (for whom she recreated her 2001 work VIP’s Union, asking luminaries from the Styrian capital to lend the institution a table or chair from their home or office, which she then arranged throughout the exhibition space). Next year there is a solo show at Cologne’s Museum Ludwig, the fruit of the Wolfgang Hahn Prize, which Yang won in September, and spots in the Liverpool Biennial and the Biennale of Sydney. With all this work in circulation, and her new professorship at the Städelschule, expect to see Yang-shaped ripples in the practice of younger artists.