Young Projects, Los Angeles 27, January – 21 April To say that video or ‘moving-image’ art is at bottom ‘durational’ is to traffic in cliché, if not self-referential redundancy. Christian Marclay’s The Clock (2010) made this cliché into a magnum opus, mapping as it did an entire archive of the ‘talkies’ mentions and depictions of clock-time to the actual hours and minutes of a single day. It didn’t hurt that that archive belonged to Hollywood, which long held a monopoly on…
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