Galerie Francesca Pia, Zürich, 22 April – 27 May Greg Parma Smith’s painting skill puts one in mind of Parrhasius, the Ancient Greek artist who, according to the myth, tricked his colleague Zeuxis into believing that a curtain covered a painting when the curtain was the painting itself. Little wonder that sincerity is continually challenged in Smith’s art, given his works’ capacity to deceive; in his current series, through which he grapples with ideas of the spiritual infinite, they do so…
Want to read more?
As an unregistered user you can view 5 articles per month.
You can register free to get a further 15 free articles
and access to 2 digital editions per month
or subscribe for unlimited access
If you have already signed up access you account here