Few people outside of film circles in the United States will be familiar with Yuri Ancarani’s work, and one hopes this series of short films, which is being screened continuously at the Hammer Museum, will remedy that fact. Rather than showing Ancarani’s works intermittently as part of a regular schedule and larger lineup, which museum film programmes are wont to do, the Hammer has three of his best works, Il Capo (2010), Piattaforma Luna (2011) and Da Vinci (2012), a…
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