Did you know that the young man who stole Marcel Duchamp’s Bicycle Wheel (1913) from MoMA in 1995 returned it, the following day, by tossing it over the wall of the museum’s sculpture garden? That there are several nodes of connection, via Philadelphia, between Duchamp and Sylvester Stallone? That The Large Glass (1915–23) makes a cameo appearance in William Gibson’s Neuromancer (1984), that Duchamp liked American women best, once took LSD by accident, was a ‘visionary of car-sharing initiatives’ and,…
Want to read more?
As an unregistered user you can view 5 articles per month.
You can register free to get a further 15 free articles
and access to 2 digital editions per month
or subscribe for unlimited access
If you have already signed up access you account here