So now the second half of Documenta 14 has opened. And the first question that arises is whether Kassel has succeeded in connecting to the opening of its first ‘chapter’ in Athens – whether, and how, the lines of questioning posed in Athens continue in the second instalment. Kassel’s many works in the public space already affirm this question – these sculptures and installations continue the artistic confrontations with topics like ‘the endangerment of democracy’ ‘neoliberal globalisation’ and ‘refugee crisis’.…
Want to read more?
As an unregistered user you can view 5 articles per month.
You can register free to get a further 15 free articles
and access to 2 digital editions per month
or subscribe for unlimited access
If you have already signed up access you account here