Antony Gormley: Sculpture is ‘the Most Radical’ of ArtformsAntony GormleyOpinionArtReview27 August 2025In the increasing constraints of the city, the artist claims public sculpture might just be a way out
Over 150 US cultural institutions speak out against state censorshipArtReviewNews26 August 2025National Coalition Against Censorship and the Vera List Center for Art and Politics issued a statement calling for solidarity and a commitment to shared values between US art and culture institutions
Tatiana Trouvé’s Community of FormsGiovanna ManzottiReviewsArtReview26 August 2025The artist’s most substantial show to date, ‘The Strange Life of Things‘, resituates materiality as a continual process of preservation
The Interview: Seoul Mediacity Biennale 2025ArtReviewFeaturesArtReview26 August 2025ArtReview met with the the curators to discuss the biennale’s history, AI and the potential of mediation
Whatever Happened to the Collectors?Mark RappoltBook ReviewsArtReview22 August 2025Once the preserve of freaks, collecting is becoming ‘the norm’ – and going out of fashion
Kritika Arya’s Puzzle StrategyPramodha WeerasekeraBook ReviewsArtReview21 August 2025Arya’s book of ten illustrated autobiographical essays tries to remember the way home
Alexandria Biennale to return after 12-year hiatusArtReviewNewsartreview.com21 August 2025The event's 27th iteration will be curated by Moataz Nasr
Asia Art Archive appoints Özge Ersoy as executive directorArtReviewNewsartreview.com21 August 2025She will take over from Christopher K. Ho
The Interview: ShimabukuChris Fite-Wassilak and Mark RappoltFeaturesArtReview Asia21 August 2025“Eating it becomes my body; the octopus becomes part of me”
3, 2, 1: How We Were Drawn Into the Photo BoothRosalind JanaOpinionartreview.com20 August 2025A century after the first iteration, these public-private cameras have changed the way we think about photographs
