The New Delhi-based artist draws attention to the moments when pieces of natural history are extracted and transported to museum collections – to be consumed as curios
Taking a hammer to Eric Gill’s sculpture ‘Prospero and Ariel’ is a sign of our cultural orthodoxy: that nothing bad or wrong or disagreeable should exist in the public realm
‘This isn’t really a demand for a revolution of the cultural institution, only a reshuffle of its senior management.’ On Laura Raicovich’s ‘Culture Strike’.
There’s no shortage of new Thai soap operas making the leap to blockbuster streaming platforms, but how many can break through the conservatively tapered social lens of the TV industry?
With the city’s commercial artworld looking increasingly homogenised, its independent spaces increasingly commercialised, can the capital preserve its diversity?
The Marvel Cinematic Universe’s introduction of the ‘multiverse’ as a new plot device sets it on course to achieve its glorious purpose of conquering all media
‘Cruella’ is Hollywood’s latest diagnosis of wickedness via pop-psychology tropes – but our desire for monster-redemption stories often ignores a difficult truth about ourselves
