Featuring Bouchra Khalili, Françoise Vergès and Marguerite Duras; columns on the museum as a place both of remembering and repression; reviews from around the world; an original comic strip; and much more
If the museum is a place both of remembering and repression, its relationship to historical facts is always unstable. How can art make space for those who history left behind?
From 1987: Kasper König devised a sculpture project in Münster as a supplementary to Documenta 8 in Kassel (and some would say an infinitely more enjoyable one)
From 2016: ‘Artivism’ is often by its nature temporary and collective, resulting in a form that is difficult to categorise, situate or give a value to. Does this make it more effective – or less?
‘Colorista’ repositions Braga’s work, often criticised for its view of traditional and mixed-heritage groups, in a transgenerational dialogue with geometric painting
