Rememory, the 25th Biennale of Sydney, is a timely rumination on marginalised histories, but the context in which it takes place supercharges its potency
Beyond the pull of Art Basel Hong Kong, a series of interventions and installations across the city probe the boundaries between art, design and everyday life
Previous artistic directors have found themselves ripe for a panning. Martin Herbert wonders what will happen to Koyo Kouoh’s In Minor Keys, if anything at all
“It’s very administrative to be a parent, but the babies always outperform the administration. This kind of mirrors my participation in the Japan Pavilion”
From 2000: The artist had a Tate St Ives residency in 1998/99 when she worked from a temporary studio improvised in the lifeguard’s hut. Here, she recounts her experience
From 2012: Resonating throughout the exhibition is a belief that ideas ask for a physical form and that we always think with the help of the material world
