What happens when forms of queer life, once historically sustained through obscurity and ephemerality, become part of a widely circulated visual record?
A shockingly revisionist script; questionably sourced funding; backing from the US MAGA faction – and all building up to Brazil’s October elections. Euan Marshall tries to take this thing seriously
What’s happening is less the corruption of a sacrosanct form of play than the interactive medium’s return to, and reentanglement with, its military roots
From 2000: The artist had a Tate St Ives residency in 1998/99 when she worked from a temporary studio improvised in the lifeguard’s hut. Here, she recounts her experience
From 2012: Resonating throughout the exhibition is a belief that ideas ask for a physical form and that we always think with the help of the material world
