ArtReview

ArtReviewFeatures26 September 2022

’You have to fight for every inch. Decentralisation vs hierarchy, trust vs control…‘

The Lessons of Nan Goldin’s Struggle Against the Sacklers

Nathalie OlahOpinion26 October 2022

Laura Poitras’s documentary portrait ‘All the beauty and the bloodshed’ reminds us of what is at stake in the artworld’s complicity in laundering reputations

Anne Imhof: Jesters and Gestures

Cat KronFeatures26 August 2022

The deviant figure of the clown acquires new potency in the artist’s twilight worlds

Art Lovers Movie Club: Tanoa Sasraku, ‘Whop, Cawbaby’

ArtReviewArt Lovers Movie Club02 December 2022

Welcome to Art Lovers Movie Club, where you’ll find a selection of artists’ videos available exclusively online at artreview.com

Adriano Pedrosa takes $25k curatorial prize

ArtReviewNews05 December 2022

Director of MASP in São Paulo praised for his retelling of art history

Ashley Bickerton, artist who played with questions of consumerism and exoticisation, 1959–2022

ArtReviewNews30 November 2022

The artist’s move to Bali had a profound effect on his work

Wellcome Collection closes ‘racist, sexist and ableist’ collection of Henry Wellcome

ArtReviewNews28 November 2022

Show too ‘problematic’ to continue

SAVVY Contemporary appoints ‘raw and vulnerable’ new director

ArtReviewNews28 November 2022

Renan Laru-an to run the Berlin non-profit

Why Effective Altruists Fear Art

Tom WhymanOpinion01 December 2022

We don’t know how our actions will be received in the future – with art, that’s the whole beauty

The Problem with the ‘Look, I Found Her!’ Trend in Art History

Eliza GoodpastureOpinion17 November 2022

For all the covetable coffee-table books about women artists, few offer us anything truly original, or truly feminist

Searching for Signs of Resistance at the World Cup

Orit GatOpinion05 December 2022

Can we afford to look away?

The Ever-Protean Wolfgang Tillmans

Cassie PackardReviews22 November 2022

A long-awaited survey at Museum of Modern Art, New York finds the artist looking both outward – to the world's constituent elements – and inward to photography itself

Talk: Agnieszka Kurant and Nigel Warburton on Art in the Age of the Planetary

ArtReviewPartnership with the Berggruen Institute01 December 2022

Join the panel discussion, chaired by ArtReview’s Mark Rappolt – the third in a series of talks in collaboration with Berggruen Arts – on Thursday 15 December 2022 at Casa dei Tre Oci, Venice

Art and the Limits of ‘Awareness’ Politics

M. Neelika JayawardaneOpinion11 November 2022

Reflections on Guantánamo, this year’s Berlin Biennale controversy, and the artworld’s tendency for shallow political consciousness

Can We Return to an Innocence Before Social Media?

Rob HorningOpinion30 November 2022

Mastodon has emerged as a possible new home for online community, but can it really change anything?

Rolls-Royce Presents Art Collection in Collaboration with Artist Javier Calleja

ArtReviewPartner Content28 November 2022

The new series of works will feature collectible scale models of the Rolls-Royce Ghost

Ana Mendieta Deserves Better Than a True-Crime Podcast

Rosanna McLaughlinOpinion22 November 2022

‘Death of an Artist’ cannot seem to move beyond treating the past as a theatre of trauma

The Return of Rococo in Contemporary Culture

Danielle ThomOpinion08 November 2022

Three centuries after its original incarnation, its pretty, ornate style is everywhere – from art fairs to the ‘avant basic’ aesthetic

The Cult of A24

Simran HansOpinionartreview.com19 August 2022

What does buying into the film distributor-turned-lifestyle brand – which celebrates its tenth birthday this month – signal exactly?

How to Unionize the Artworld

Meagan DayOpinionartreview.com10 August 2022

From the Whitney Museum to Tate Modern, workers at art and cultural institutions are discovering that unions aren’t just for hard-hats

How Culture Went Back to the Middle Ages

Eloise HendyOpinionartreview.com23 June 2022

On Ottessa Moshfegh’s ‘Lapvona’ and the medieval turn

What Does Rich-Kid Art Look Like?

Martin HerbertOpinionartreview.com22 June 2022

In an artworld reluctant to discuss class, there seems to be no way in without a master’s degree and a subsidised period of ‘emerging’

How Paula Rego (1935-2022) Took the Patriarchal Artworld by Storm

Nathalie OlahOpinionartreview.com13 June 2022

The late artist forged a new vernacular of a muscular, radical femininity

Why the ‘Multiverse’ Rules Cinema

Abigail NussbaumOpinionartreview.com31 May 2022

From the Marvel franchise to Everything ‘Everywhere All at Once’, filmmakers of the early 2020s love a story that contains all possible stories

Why the Artworld Needs Feminist Economics

Ruth Beale and Amy FeneckOpinionartreview.com23 May 2022

Artists Ruth Beale and Amy Feneck – who run the Alternative School of Economics – on the importance of recognising care

What Does It Mean To Paint ‘Like an Artist’?

Tom WhymanOpinionartreview.com28 April 2022

It’s about more than the motions of putting a brush to canvas

Return of the Lesbian Psycho: Why Killer Queens Stalk Pop Culture

Bryony WhiteOpinionartreview.com25 March 2022

From ‘Heavenly Creatures’ to ‘Killing Eve’, there’s a long cinematic history to the trope

How the ‘Queer Gaze’ Liberates Art History

Hortense BelhôteOpinionArtReview23 March 2022

‘I can’t help it… To me it looks like Juno is harnessing herself with a strap-on.’ Hortense Belhôte on the subversive paintings of Élisabeth Louise Vigée Le Brun

Ruangrupa Tops 2022 Edition of ArtReview’s Power 100

Power 100

Who’s Exploiting Who? ruangrupa on documenta fifteen