Lin Htet Aung’s poetic, nonlinear films defy categorisation, confound international audience expectations and won’t be shown in his native Myanmar anytime soon. So what are they about, and who are they for?
The rich history of black graphic scores represents a visual culture creating space for improvisation, imagination and unknowability in much the way black musical culture does
The artist’s work investigates how recorded (and not recorded) sounds can tell us both about the past and how the past is being constantly reshaped in the present
In the age of AI, it would be easy to dismiss Sophie Becker’s ventriloquism performances as pure nostalgia, but in her hands it becomes a tool by which to question who’s really in charge around here
On 13 October, join Prof Sook-Kyung Lee and Wenny Teo in conversation with ArtReview editor-in-chief Mark Rappolt about the work of Ha Chong-Hyun, on view at Lisson Gallery
From 2000: The artist had a Tate St Ives residency in 1998/99 when she worked from a temporary studio improvised in the lifeguard’s hut. Here, she recounts her experience
From 2012: Resonating throughout the exhibition is a belief that ideas ask for a physical form and that we always think with the help of the material world
