‘Dissident Chorus’ explores how worldly things overflow their bounds – like sound, like cultures, like water. But is dissidence something you can curate?
That this Autumn’s riots have occurred – and that the artworld, ever keen to wash its hands of politics when unable to dictate them, ran scared – can be seen as nothing else but inevitable
As part of our partnership with Art Week Tokyo (AWT), Editorial Director of AWT Andrew Maerkle speaks to ArtReview’s Editor-in-Chief Mark Rappolt about the origins and impact of AWT’s programming.
The latest edition, A Chorus of Strangers, feels much like the reality of Britain today – confused, messed up, angry, threatening and full of mixed messages
The artist’s recommendations include: going straight to the factory for the best materials, reading one’s post while seated, climbing stairs mindfully and listening to what old clothes are saying
From 2000: The artist had a Tate St Ives residency in 1998/99 when she worked from a temporary studio improvised in the lifeguard’s hut. Here, she recounts her experience
From 2012: Resonating throughout the exhibition is a belief that ideas ask for a physical form and that we always think with the help of the material world
On 13 October, join Prof Sook-Kyung Lee and Wenny Teo in conversation with ArtReview editor-in-chief Mark Rappolt about the work of Ha Chong-Hyun, on view at Lisson Gallery
This group exhibition foregrounds Gen X artists that lived the shift from analogue to digital in real time, reality show-to-influencer pipeline, hypercapitalist austerity and trad-fascism
The artist’s paintings test and probe the thresholds (real and imagined) that shape the queer and migrant experience, holding and proposing unruly ideas
