Whether it’s quasi-sculptures of drum skins and kit stands or a floor-filling, deconstructed organ, the artist’s electroacoustic contrivances are absurdly moving
For an artist who treated the material status of his works with striking nonchalance, Duchamp in his afterlife seems rather preoccupied with asserting control over the material world
“Lebanon is often perceived through simplified images: sometimes as an extension of the West within the Middle East, sometimes as a place defined by conflict. But in reality it exists somewhere in between these projections”
From 2000: The artist had a Tate St Ives residency in 1998/99 when she worked from a temporary studio improvised in the lifeguard’s hut. Here, she recounts her experience
From 2012: Resonating throughout the exhibition is a belief that ideas ask for a physical form and that we always think with the help of the material world
