‘Man, Bird and Tree’ at Carl Freedman Gallery, Margate provides a welcome reminder of a superlative colourist and storyteller of postwar British painting
NFTs will neither save the world nor destroy it, but the fractures in its market reveal critical fixes needed in both the contemporary and crypto art space
The surreality of Todd Field’s film shares something with its titular conductor: the shifting, unreliable impression she makes on the girls she uses for pleasure and advancement
‘Faith, Hope and Carnage’ – intimate discussions between the singer-songwriter and journalist Seán O’Hagan – transcends the genre of the rockstar memoir
In ‘Being Legendary’ at Royal Ontario Museum, Toronto, the artist’s cosmic paintings form an indictment of the violence of Western museum practices, staged from within the museum
Taylor’s work – granted the retrospective treatment at LA MOCA – embodies an optimistic ‘fuck you’ to great swathes of representational and abstract painting throughout history
‘I can’t help it… To me it looks like Juno is harnessing herself with a strap-on.’ Hortense Belhôte on the subversive paintings of Élisabeth Louise Vigée Le Brun
