Wong Ping’s Shit TalkStephanie BaileyArtReview Asia08 July 2024Sometimes contemporary art is just a giant silicone anus
Bouchra Khalili: All Tomorrow’s RevolutionsStephanie Baileyartreview.com14 June 2024Khalili’s ‘activation of history’ through film brings archival content into the present and commends it for the future
Farah Al Qasimi Takes Futurism Into the PastStephanie BaileyArtReview28 May 2024Al Qasimi’s shift to black-and-white in ‘Toy World’ at The Third Line, Dubai burdens her usually visceral use of colour with a spectral weight
Vangelis Vlahos Digs DeeperStephanie BaileyArtReview14 May 2024In layered installations, Vangelis Vlahos excavates fragments of Greek history to ask what is considered an event, and when, if ever, an event ends
Christoph Büchel: Fear and Loathing in VeniceStephanie BaileyArtReview14 April 2024With an apparent appetite for destruction, not least that of his own reputation and even art, what, one might ask, are the Swiss artist’s motivations, and does he have any limits?
The Contemporary Politics of ShanshuiStephanie BaileyArtReview28 March 2024A new exhibition at M+, Hong Kong opens up the landscape genre in ink art to the context of a postindustrial, digital world
Shuang Li: From Lockdown to FandomStephanie BaileyArtReview Asia11 December 2023The chinese artist’s circular tracks – from My Chemical Romance to Georges Perec – are charting new directions
