The Interview: Josh KlineJenny WuArtReview14 October 2024“We’re so far beyond authenticity. I don’t know if it can exist in a society where we’re crafting our identities through social media”
Notes from New York: Makeshift MachinesJenny Wuartreview.com30 September 2024An aerial perspective from above the clouds, at turns sinister and celestial, offers a route into alternative and nonhuman ways of seeing
Notes from New York: Get LostJenny Wuartreview.com28 August 2024Let’s seriously consider the formal disjunctions within the immersive experience
‘Widening the Lens’: A Corrective for Landscape PhotographyJenny WuArtReview07 August 2024What belongs in a landscape, and who in front of a camera? The genre is about more than just the nineteenth-century notion of the sublime
Notes from New York: Back to SchoolJenny Wuartreview.com30 July 2024A series of exhibitions in neglected or humble buildings afford art the space to slack and slouch
Notes from New York: Group Shows, EverywhereJenny Wuartreview.com01 July 2024June offered a surprisingly robust sampling of artworld staples and emerging talent, for those willing to slog through record-breaking heat
Notes from New York: Barthes FairJenny Wuartreview.com12 June 2024As art lovers converged on the city for its high fair season, Jenny Wu found resolve in the quiet among the chaos