Whitney Biennial 2024 Review: Baby StepsJenny WuArtReview21 March 2024The 81st edition reflects the biennial’s own function as a time capsule – what do we want to say about our present reality?
The Interview: Yto BarradaJenny WuArtReview14 March 2024“I have a very Oulipo way of working. I give myself a constraint, and then I have total freedom in the margins”
Helen Marten’s Waste LandJenny WuArtReview01 November 2023‘Evidence of Theatre’ at Greene Naftali, New York wryly critiques how humans have stewarded the planet
Suchitra Mattai’s Perfect FutureJenny WuArtReview30 October 2023‘In the absence of power. In the presence of love’ at Roberts Projects, Los Angeles reimagines histories of migration and labour
cameron clayborn: No TresspassingJenny WuArtReview19 October 2023‘Private Property’ at Morán Morán, Los Angeles presents sculptures that enforce a discomforting sense of voyeurism
Rosha Yaghmai’s Nowhere GardensJenny WuArtReview29 August 2023A new show at Commonwealth and Council, Los Angeles emphasises the peculiarities of vision over the particularities of place
The Art of ‘A Little Digital Death’Jenny WuArtReview23 August 2023A new show at Honor Fraser, Los Angeles intends to survey and build solidarity across ‘glitched’ bodies operating under vastly disparate social conditions
