Are you a curator who wants to do a show with Marina Abramović? Fancy the visitor figures a celebrity artist can bring? (Her 2010 MoMA show was the most popular in the institution’s history, with 850,000 visitors, a number not quite matched by this year’s solos at Bundeskunsthalle, Bonn; Palazzo Strozzi, Florence; Sean Kelly, New York; and Galerie Krinzinger, Vienna, but boons for those spaces nonetheless.) Well get in the queue, because the performance artist’s exhibition schedule is booked to 2024. Abramović is famous enough to be lampooned by Cate Blanchett in a forthcoming Netflix comedy (‘Waiting for the Artist’, an episode of the Documentary Now! series screening next year) and attacked by an artist (a man smashed a portrait of Abramović over the artist’s head in September). Nor does the artist need to be present to make herself felt: the Marina Abramović Institute is increasingly active, staging, for example, eight performances by artists using her ‘method’ at this year’s Bangkok Art Biennale.