Future Greats 2024: Dana KavelinaAlexander LeissleArtReview09 February 2024Selected by Alexander Leissle
Steirischer Herbst 2023 Review: As Above, so BelowAlexander LeissleArtReview09 October 2023The contemporary art festival’s latest edition, ‘Humans and Demons, investigates what becomes of our ethics in dark times
Patrick Langley’s Music of the PastAlexander LeissleArtReview25 September 2023‘The Variations’ shifts between fantasy, the gothic and a study of grief – to varying degrees of success
Cemile Sahin: Art in the Age of Mechanical WarfareAlexander LeissleArtReview12 June 2023Transforming information into aesthetics, Sahin explores the friction between a macro and micro view of history and of human life, both forever intertwined
Ndayé Kouagou, Court JesterAlexander LeissleArtReview15 May 2023‘Direction, Direction?’ at Sundy, London revels in the unreality of online living, self-fashioning and limitless content consumption
Sue Williamson’s Funereal VitalityAlexander LeissleArtReview28 March 2023A new show at The Box, Plymouth presents a careful overview of a career dedicated to memory and colonial injustice
ESG: The Little-Known Band That Defined an EraAlexander LeissleArtReview13 March 2023‘Come Away with ESG’ by Cheri Percy commits scholarly study to an album sculpted by its time – and which shaped so many that followed
