14th Shanghai Biennale Review: Stick to the ScriptMark RappoltArtReview14 February 2024‘Cosmos Cinema’ aims to deal with nearly all the pressing issues of our artistic moment – and some interstellar fancy to boot
Art as a Medium of ResistanceMark RappoltArtReview18 January 2024The tropical ‘attitude’ that brings together two regions in rejection of European colonialism
Jewyo Rhii: Art in StorageMark RappoltArtReview Asia10 January 2024‘Of Hundred Carts and On’ at Barakat Contemporary, Seoul asks what happens to the work after the exhibition
‘Midnight’s Third Child’ by Naeem Mohaiemen Review: Trying HarderMark RappoltArtReview Asia28 November 2023An attempt to establish a specific art history of Bangladesh, and to define the role of the artist in that nebulous space
Ramesh Mario Nithiyendran: Action and DramaMark RappoltArtReview02 November 2023The Sydney-based artist is driving towards an idea of sculpture as an animate form, something that embraces change and ephemerality
With a Dagger Rather than a TheoryMark RappoltArtReview Asia12 October 2023A graphic novel on the Haitian revolutionary Toussaint Louverture gives a new view of a welcome addition to a wider reconsideration of colonial and postcolonial histories
‘The Future Future’ by Adam Thirlwell Review: Studded With AnachronismsMark RappoltArtReview02 October 2023The author’s latest novel makes what’s ‘real’ seem like a stage set and what’s invented seem real
