The Horny and Homicidal World of Cerith Wyn EvansMartin HerbertArtReview19 March 2025From 2006: “My old friend Leigh Bowery would ask: ‘Where is the poison?’ And that’s a question I keep asking myself”
Marnie Weber, For Female Storytellers EverywhereMartin HerbertArtReview06 March 2025In film and paintings, ‘When Roses Bloom’ at Heidi, Berlin explores the hallucinatory nature of ageing
Philippe Parreno: Between Difficulty and PossibilityMartin HerbertArtReview19 February 2025In ‘Voices’ at Haus der Kunst, Munich it feels like something is being transmitted in a language halfway alien, halfway familiar
The Interview: Anh TrầnMartin HerbertArtReview11 February 2025“I don’t really, completely, believe in this expressive individualism. I understand how it starts, but I don’t totally agree with it”
Future Greats 2025: Samuel HindoloMartin HerbertArtReview30 January 2025‘In an era of figurative painting that hits quickly and expends itself, Hindolo builds unhurried, probing, effort-requiring scenarios’
How Long Does an Exhibition Take?Martin HerbertArtReview14 January 2025Instead of seeing a variety of shows, what if you kept revisiting one, over and over, until you couldn’t bear anymore?
17th Lyon Biennale Review: What Now?Martin HerbertArtReview02 December 2024The 2024 edition, ‘Crossing the Water’, is at once well intentioned and adrift in a sea of vague metaphor
