Philippe Parreno: Between Difficulty and PossibilityMartin HerbertArtReview19 February 2025In ‘Voices’ at Haus der Kunst, Munich it feels like something is being transmitted in a language halfway alien, halfway familiar
The Interview: Anh TrầnMartin HerbertArtReview11 February 2025“I don’t really, completely, believe in this expressive individualism. I understand how it starts, but I don’t totally agree with it”
Future Greats 2025: Samuel HindoloMartin HerbertArtReview30 January 2025‘In an era of figurative painting that hits quickly and expends itself, Hindolo builds unhurried, probing, effort-requiring scenarios’
How Long Does an Exhibition Take?Martin HerbertArtReview14 January 2025Instead of seeing a variety of shows, what if you kept revisiting one, over and over, until you couldn’t bear anymore?
17th Lyon Biennale Review: What Now?Martin HerbertArtReview02 December 2024The 2024 edition, ‘Crossing the Water’, is at once well intentioned and adrift in a sea of vague metaphor
Are You Too Old for the Artworld?Martin Herbertartreview.com25 November 2024Complaining that most art sucks is like saying that all new music is bad because you don’t like Spotify’s Top 50 playlist
The Real-World Abstractions of Udomsak KrisamanisMartin Herbertartreview.com05 November 2024The Thai artist’s pop-inflected collage-paintings are underpinned as much by the adaptability of the immigrant mindset as they are globalised modernist aesthetics
