Thea Djordjadze’s Mental TicklesMartin HerbertArtReview31 January 2024‘the ceiling of a courtyard’ at Wiels, Brussels unites sculptures and photographs with a sense of purposeful withholding
Jan Van Imschoot’s Reputational AsymmetryMartin HerbertArtReview04 January 2024‘The End Is Never Near’, a retrospective at S.M.A.K., Ghent illuminates the work of a little-known figurative painter
Cian Dayrit’s AntiauthoritarianismMartin HerbertArtReview Asia18 December 2023‘Schemes of Belligerence’ at Nome, Berlin presents a seething counter-history of colonisation, revolution and militaristic control of the Philippines
Tolia Astakhishvili’s Unhappy HomesteadMartin HerbertArtReview17 October 2023‘The First Finger (chapter II)’ at Haus am Waldsee, Berlin mixes the Tbilisi-born artist’s orphaned works with collaborations and standalone artworks by 12 other artists
Slow-Motion Omnidirectional CatastropheMartin HerbertArtReview Asia11 October 2023Daido Moriyama’s Retrospective at C/O Berlin shows how the real world is scarier than photographs
What to Make of Harry Smith?Martin HerbertArtReview04 October 2023He defied convention and any kind of categorisation – and now he’s the subject of a major museum retrospective
‘The Slip’ Review: Not a Dead EndMartin HerbertArtReview29 August 2023How one street in Downtown New York became a centrepoint of artistic invention
