Future Greats 2023: Esteban JeffersonMartin HerbertArtReview08 February 2023Selected by Martin Herbert
I’m an Art Critic. Will AI Steal My Job?Martin Herbertartreview.com30 January 2023ChatGPT’s recommendations for writing an exhibition review are nothing if not uncritical, and yet they are unmistakably of the moment
How Can You Make Art About the Unspeakable?Martin HerbertArtReview17 January 2023A show at Kunstsammlung NRW, Düsseldorf, establishes Reinhard Mucha as one of Germany’s most estimable living artists
What Happens When Art Becomes a Luxury Accessory?Martin Herbertartreview.com21 December 2022From ‘NGO aesthetics’ and OKish painting to the increasingly blurred lines between culture and high-end lifestyle: 2022 in the artworld
Walter Price Opens the TrapdoorMartin HerbertArtReview20 December 2022In ‘Pearl Lines’ at Galerie Barbara Wien, Berlin, a dark and sanguine rendering of inequality and conflict emerges along gendered and racial lines
The Pitfalls of the Artist BiopicMartin Herbertartreview.com04 November 2022Misunderstood genius? Tick. Inspired by the muses? Tick. The formula, it seems, never grows old
The ‘Non-Art’ of Art FairsMartin Herbertartreview.com20 October 2022Audiences that can’t tell good from bad, artists who can’t either, gallerists who can’t get off the hamster wheel, and a general sense of burnout is a recipe for ‘abundant feelgood staleness’
