Trailer for Self Made, the debut feature film by Turner-prize winner Gillian Wearing. Read more about Wearing in Sally O’Reilly’s article in ArtReview issue 58 April 2012. ShareTweet
Sylvain Amic, Musée d’Orsay chief, 1967–2025ArtReviewNewsartreview.com02 September 2025He was seen as a progressive, who brought 3.7 million visitors to the museum
Philadelphia Museum sues Trump administrationArtReviewNewsartreview.com02 September 2025A $750,000 grant was terminated following the Trump administration’s dismantlement of the IMLS
EJ Hill Behind the CurtainHo Won KimReviewsArtReview01 September 2025At 52 Walker in New York, you’ll find the artist kneeling at the altar, at all times. What is he waiting for?
How Exhibitions Can Retain a Sense of MysteryA. Cerisse CohenReviewsArtReview01 September 2025A new show at MoMA PS1 asks if art can help us understand contemporary life’s sensory overload
Gala Porras-Kim: Are Museums for the Dead or the Living?Chris Fite-WassilakFeaturesArtReview01 September 2025The artist offers a new vision of such spaces that leaves us wondering whether or not such an idea could ever become a reality
A Guide to the Seoul Art SceneArtReviewPartnership with Korea Arts Management ServiceArtReview31 August 2025Spaces in Seoul, chosen by the people who help shape the city’s vibrant art scene
A Guide to Seoul Art GalleriesArtReviewPartnership with Korea Arts Management ServiceArtReview31 August 2025Spaces in Seoul, chosen by the people who help shape the city’s vibrant art scene
Mami Kataoka and Arja Miller to curate 2027 Helsinki BiennialArtReviewNewsartreview.com29 August 2025‘Our joint curatorial approach will be based on the idea of art that connects and inspires broad audiences'
Black Joy, or a Take-No-Shit MajestyClara YoungReviewsArtReview29 August 2025Pharrell Williams’s third curatorial outing at Perrotin stages a celebration, commemoration and exploration of Afro-descendant women
A Summer of Discontent in Mexico CityGaby CepedaOpinionartreview.com29 August 2025From Airbnb-imperialism to faux-progressive art museums, understanding who the city is for hasn’t been this opaque for decades
