What Makes British Art ‘British’?J.J. CharlesworthBook ReviewsArtReview20 February 2025In ‘The Invention of British Art’, Bendor Grosvenor explores how the ‘commissioning classes’ have long influenced the making of a national style
Richard Flood, curator and writer, 1944-2025ArtReviewNewsartreview.com20 February 2025Flood held chief curator positions at the Walker Art Center in Minneapolis and New York’s New Museum
Former Australia Pavilion team calls for reinstatement of dropped 2026 artistArtReviewNewsartreview.com19 February 2025Archie Moore’s Australia Pavilion with the Mataaho Collective took home the Golden Lion
Chantal Akerman, Forever Out of TimeAlice BlackhurstOpinionartreview.com19 February 2025Jeanne Dielman may be the ‘best film of all time’, but Akerman’s cinema made a commitment to the interminability of the present
Philippe Parreno: Between Difficulty and PossibilityMartin HerbertReviewsArtReview19 February 2025In ‘Voices’ at Haus der Kunst, Munich it feels like something is being transmitted in a language halfway alien, halfway familiar
Lynette Yiadom Boakye’s Theatre of the SilentAlexander LeissleReviewsArtReview18 February 2025Yiadom-Boakye’s new paintings at Corvi-Mora explore a dialectic between expression and enigma
Serge Lasvignes, former Centre Pompidou president, 1954–2025ArtReviewNewsartreview.com18 February 2025French museum boss oversaw huge expansion and franchise operation overseas
Dennis Crompton, Archigram cofounder, 1935-2025ArtReviewNewsartreview.com17 February 2025The British architect, teacher and archivist was the ‘Archigram keeper of the Flame’
Mel Bochner, pioneer conceptualist, 1940-2025ArtReviewNewsartreview.com17 February 2025Known for his text-based work, the Pittsburgh-born artist embraced post-minimalism
Clauda Martínez Garay’s Painting on an Equal PlaneSalena BarryReviewsArtReview17 February 2025At Grimm in London, Garay explores the point at which European and Indigenous narratives emerge and diverge
