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How Donald Rodney Found Refuge for the Black BodyTendai MutambuOpinionartreview.com06 March 2025Rodney was an expert of fragmentation, distortion and the obfuscation of a unified self-image
Marnie Weber, For Female Storytellers EverywhereMartin HerbertReviewsArtReview06 March 2025In film and paintings, ‘When Roses Bloom’ at Heidi, Berlin explores the hallucinatory nature of ageing
2026 Venice Biennale pavilions: your go-to list [Updated]ArtReviewNewsartreview.com06 March 2025The latest announcement: Endre Koronczi will represent Hungary
In Pictures: Liu Jiakun wins 2025 Pritzker Architecture PrizeArtReviewNewsartreview.com05 March 2025Liu was a part of China’s Zhiqing (“educated youth”) during the cultural revolution
Diriyah Contemporary Art Biennale 2026 curators announcedArtReviewNewsartreview.com05 March 2025Nora Razian and Sabih Ahmed will direct third edition
Tatsumi Orimoto, ‘Bread Man’, 1946–2025ArtReviewNewsartreview.com05 March 2025The Japanese artist went on to collaborate with his mother
The Other Leonora CarringtonTheadora WalshReviewsArtReview05 March 2025The late surrealist painter and writer was known for her dreamlike paintings but a new exhibition brings her versatility between mediums to light
Máret Ánne Sara next up for Tate Modern’s Turbine Hall CommissionArtReviewNewsartreview.com05 March 2025Sara is a Northern Sámi artist, writer and founder of the Dáiddadállu artist collective
Notes from New York: A Second ChanceJenny WuOpinionartreview.com05 March 2025Why faulty first impressions only tell half the story, and the beauty of never quite making up your mind
You’re Missing the Point of Agnes Denes’s ‘Wheatfield’Amber HusainFeaturesArtReview05 March 2025Why do we sentimentalise Denes’s most famous artwork, and where has this led us?