Why Bong Joon Ho’s ‘Mickey 17’ Is Realer Than You ThinkPhilippa SnowOpinionartreview.com11 March 2025What should have been Bong’s victory lap becomes, instead, a too-late warning from history
Greek politician storms ‘blasphemous’ National Gallery showArtReviewNewsartreview.com11 March 2025Nikolaos Papadopoulos vandalised works by Christophoros Katsadiotis
Gregg Bordowitz: This Awkward LifeTendai MutambuReviewsArtReview11 March 2025‘There: a Feeling’ at Camden Art Centre presents an artist who has not tried to resist the chaos of life, but to channel it into a self-imposed form
Ricardo Scofidio, architect behind High Line and landmark museums, 1935–2025ArtReviewNewsartreview.com11 March 2025Diller Scofidio + Renfro participated in six edition of the Venice Architecture Biennale
2026 Venice Biennale pavilions: your go-to list [Updated]ArtReviewNewsartreview.com11 March 2025The latest announcement: Maja Malou Lyse will represent Denmark
Cinzia Ruggeri and Birgit Jürgenssen: Late MastersGiovanna ManzottiReviewsArtReview10 March 2025Both artists, posthumously united in a group show at ICA Milano, sought to identify and escape the burden of culturally instituted gender roles
Sophie Ristelhueber wins 2025 Hasselblad AwardArtReviewNewsartreview.com10 March 2025“As you know, one does not die from being unloved, but from being unbelieved”
‘India: A Linguistic Civilization’ by G. N. Devy, ReviewedDeepa BhasthiBook ReviewsArtReview10 March 2025The literary critic and language activist takes a radically different approach to India’s history from it’s current leadership
Kite: When Dreams Become DatasetsRachel M. TangFeatures10 March 2025The Lakȟóta artist creates space for Indigenous knowledge within the realms of artificial intelligence
We Need New Words for Diversity, Equity and InclusionTravis DiehlOpinionartreview.com07 March 2025The problem is the impulse to defend ‘DEI’ as a metaphor without making the case for its essential value
