Glicéria Tupinambá and the Curators of the Hãhãwpuá Pavilion on Representing Brazil at the 60th Venice BiennaleArtReviewartreview.com10 April 2024“Any space we can occupy will be important in the fight to rewrite a more plural art history, in which Indigenous processes and thoughts are included”
Eva Koťátková and Hana Janečková on Representing the Czech Republic at the 60th Venice BiennaleArtReviewartreview.com10 April 2024“The Biennale makes sense if it can provide a space to interrogate its own premise”
Matthew Attard on Representing Malta at the 60th Venice BiennaleArtReviewartreview.com10 April 2024“Our cultural backgrounds provide each of us with a unique way of perceiving and experiencing imagery, artworks and installations”
MADEYOULOOK on Representing South Africa at the 60th Venice BiennaleArtReviewartreview.com10 April 2024“The nature of our work over the past 15 years has generally been relational, time based and intimate in scale”
The ArtReview Brazil Supplement Out NowArtReviewArtReview10 April 2024Produced with the support of Instituto Guimarães Rosa: A special publication dedicated to the country will be free with the April issue, and distributed at the Venice Biennale
The Congolese Collective CATPC on Representing The Netherlands at the 60th Venice BiennaleArtReviewartreview.com10 April 2024“It is an unhealthy privilege to take part in a festival that is not intended for people like us”
German museum sacks worker for displaying his own painting in the galleryArtReviewartreview.com10 April 2024The work by the aspiring artist remained on display for an entire day
