Mirror Images: The Critical Consciousness of Joan JonasCassie PackardArtReview21 June 2024Jonas didn’t expand cinema so much as explode it, a new survey of the transmedia artist at MoMA shows
Donna Dennis Asks, When Is a House a Home?Cassie PackardArtReview21 May 2024‘Houses and Hotels’ at O’Flaherty’s, New York furthers the artist’s interest in the literal and psychological ‘interiors’ of dwellings
No Escape from Techno JunkCassie PackardArtReview24 April 2024Seeing e-waste is the first step towards dealing with it. What role does art have to play in this?
Naama Tsabar: Play with MeCassie PackardArtReview08 April 2024Tsabar’s ‘deviant’ musical instruments invite chance and collaboration into the hallowed spaces of art
Pippa Garner: ‘I Could Never Get Enough Pussy So I Built One In’Cassie PackardArtReview07 February 2024‘Act Like You Know Me’ at White Columns, New York showcases the artist’s delightfully irreverent sensibility
Whose Interests Does AI Serve?Cassie PackardArtReview05 December 2023‘What Models Make Worlds’ at Ford Foundation Gallery, New York challenges the bias and myopia inherent in contemporary algorithmic models
The Case for the Place of Feeling in PhotographyCassie PackardArtReview05 October 2023‘Trust Me’ at Whitney Museum of American Art assembles photographs by artists who foreground intimacy, care and connection in their work
