Pippa Garner: ‘I Could Never Get Enough Pussy So I Built One In’Cassie PackardArtReview07 February 2024‘Act Like You Know Me’ at White Columns, New York showcases the artist’s delightfully irreverent sensibility
Whose Interests Does AI Serve?Cassie PackardArtReview05 December 2023‘What Models Make Worlds’ at Ford Foundation Gallery, New York challenges the bias and myopia inherent in contemporary algorithmic models
The Case for the Place of Feeling in PhotographyCassie PackardArtReview05 October 2023‘Trust Me’ at Whitney Museum of American Art assembles photographs by artists who foreground intimacy, care and connection in their work
Returning to NXTHVN, the Incubator for Artists and Curators of ColourCassie PackardArtReview20 September 2023‘RECLAMATION’ at Sean Kelly, New York underscores that the titular act can operate in a multiplicity of modes and on many scales
Sung Tieu: Not Fracking AroundCassie PackardArtReview20 June 2023On the artist's subtle art of making things visible, and the even subtler art of allowing audiences to come to their own conclusions
Buck Ellison Meets PrinceCassie PackardArtReview24 April 2023A new show at Luhring Augustine, New York finds Ellison inhabiting the roles of rigorous conceptual photographer, zealous detractor and obsessed fan
Ser Serpas Animates Our Late-Capitalist EpochCassie PackardArtReview07 April 2023A new show at Swiss Institute, New York asks philosophical questions of fleshy bodies – and foils any inclination to pigeonhole the artist’s evolving practice