Opportunity Zone: Flint Jamison, ‘Veneer’ – ReviewDigby Warde-AldamArtReview02 December 2021The idea that the art industry is essentially the advance-guard of gentrification has become a received wisdom. Yet what is the role of art itself in the equation?
Artist Sammy Baloji Considers the Shaky Ethics of Colonial CollectingDigby Warde-AldamArtReview02 December 2020In his latest solo show in Paris, the Congolese artist tackles the connoisseurs who brought DR Congo’s cultural heritage to Europe
Manifesta 13 Marseille Review: Gut Punches and Odd NotesDigby Warde-Aldamartreview.com16 November 2020Can the self-styled ‘nomadic art biennale’ – with its socially-engaged mission – withstand the weight of its own contradictions?