Patricio Morocho’s Demolition ActsGaby CepedaArtReview16 July 2026Morocho’s objects appear as relics even while they depict our present
How Can Art Depict Everyday Violence?Gaby CepedaArtReview19 May 2026‘La Alegría de Vivir’ is unequivocal in its message, that war and violence are now continuous conditions rather than exceptional events
Manuela Solano’s Art PoptimismGaby CepedaArtReview05 November 2025From tender portraits of popstars to glammed-up dinosaurs and aliens, the Mexican painter shows a secular devotion to popular culture
A Summer of Discontent in Mexico CityGaby Cepedaartreview.com29 August 2025From Airbnb-imperialism to faux-progressive art museums, understanding who the city is for hasn’t been this opaque for decades
Naomi Rincón Gallardo’s Pedagogy of AgitationGaby CepedaArtReview21 May 2025“I am very invested in that sociocosmic space, narrated by humans but woven out of animal agencies, deities, cosmic beings and potencies intervening in everyday reality”
The Personal and the NecropoliticalGaby CepedaArtReview29 April 2025At Museo Anahuacalli in Mexico City, the artists Carolina Fusilier and Paloma Contreras Lomas consider the spaces made to inhabit the dead
San Miguel Chapultepec, Mexico City’s ‘Posh’ District, ReviewedGaby CepedaArtReview10 January 2025What happens when an art critic reviews every single exhibition within a one-kilometre radius?
