Does Damien Hirst Dream of Expensive Sheep?Gaby CepedaArtReview23 May 2024Hirst’s first ever retrospective in Mexico feels like a blockbuster from another time, before the artist became the puppet – and puppeteer – of millionaires and their institutions
Laura Langer’s Human PuzzlesGaby CepedaArtReview23 January 2024‘Execution / Ejecución’ at Lodos, Mexico City is obsessive and perplexing: how does it manage to be both literal and cryptic?
Roberto Jacoby: We Are Animals Transmitting EternityGaby CepedaArtReview12 September 2023A new show at Museo Universitario del Chopo, Mexico City captures a time and a place through a legend of Buenos Aires
Paulina Olowska and Mexico’s Enduring Romance With ModernismGaby CepedaArtReview15 May 2023A new show at Kurimanzutto, Mexico City marries a sense of heaviness with a patent ethereality
Maximiliano Rosiles’s Snake HusksGaby CepedaArtReview01 March 2023‘Exuvia’ at Museo Universitario del Chopo, Mexico City attempts to marry a soft and powerful formalism with a weightier didacticism
Ana Prata’s Tiny PhenomenaGaby CepedaArtReview16 November 2022‘Em volta desta mesa’ at Travesía Cuatro, Mexico City showcases the artist’s tactile abstractions and deceptive cunning
Primordial Soup: Bernadette Corporation and Milagros RojasGaby CepedaArtReview04 August 2021A walk through Mexico City’s galleries prompts a rumination on an unshapely motif