Kimberly Bradley

What It’s Like to Visit a Museum in the Age of Social Distancing

Kimberly Bradleyartreview.com22 May 2020

The Berlin artworld is tentatively reopening. But what happens to exhibitions that are premised on intimate interaction?

12th Bamako Encounters: Streams of Consciousness

Kimberly BradleyArtReview13 March 2020

Kimberly Bradley finds the River Niger to be a fitting analogy for the streams of ideas flowing through the photography biennial

Fototala King Massassy, Tenir (Anyway), 2019. AR March 2020 Review 12th Bamako Encounters

Tidalectics

Kimberly BradleyArtReview25 August 2017

Ecological thinking and oceanic exploration

Tue Greenfort, Tamoya Ohboya (detail), 2017. AR Sep 17 Review

Hannah Black Small Room

Kimberly BradleyArtReview09 June 2017

Mumok, Vienna 17 March – 18 June What is life? In Small...

Hannah Black,<i>'Small Room'</i>, installation view. Image: mumok / Klaus Pichler

Mark Leckey + Alessandro Raho: We Transfer

Kimberly Bradley07 April 2016

Kimberly Bradley finds humour and darkness in the two-artist show at Secession

Mark Leckey, We Transfer, 2015 (installation view, Living Within The Ecstasy of Always Bursting Forth, Secession, 2015). Jan_Feb 2016 Review

Read our feature on the German photographer (and one of the five artists in the German Pavilion at Venice), who depicts people living on the margins in a way that is itself ambiguously positioned between documentary photography, photojournalism and art, from the May 2015 issue

Tobias Zielony Light Box, from May 2015 Feature

German Pop

Kimberly Bradley03 March 2015

6 November – 8 February 2015, Schirn Kunsthalle Frankfurt