How the 1970s Transformed Cultural ProductionPádraic E. MooreArtReview09 December 2022‘The 1970s: _’ at Argos Centre for Audiovisual Arts, Brussels captures a world both embracing and resisting technological advancement
Grace Ndiritu Reclaims Art’s Ritual FunctionPádraic E. MooreArtReview06 June 2022Post-Hippie Pop Abstraction at Arcade, Brussels conceals within its agitprop a more radical intention
High Times: Artist Joachim Koester Exposes Infrastructures of ControlPádraic E. MooreArtReview22 July 2021In his most recent works, Koester focuses on artefacts of a shadow economy: images of cannabis and cocaine photographed using a scanning electron microscope
From Disco to Hi-NRG: A Portrait of Experimental Musician Patrick CowleyPádraic E. MooreArtReview11 June 2021Luke Fowler’s docuportrait ‘Patrick’ tracks a sound and culture, and the fleeting lives of a generation
Keith Farquhar and Sara MacKillop Stave Off BoredomPádraic E. MooreArtReview30 April 2021Antwerp’s Office Baroque stages a dialogue between the two artists’ work that reads like a meditation upon ennui and physical confinement
The Unapologetically Zealous Paintings of ‘Bible Nerd’ Genesis TramainePádraic E. MooreArtReview11 March 2021The Brooklyn-born artist breathes new life into ancient, scriptural subjects
Eduardo Paolozzi’s ‘Health Warning for an Uncreative and Thriftless Society’Pádraic E. MooreArtReview28 May 2020An exhibition at Clearing, Brussels reveals the artist’s desire to dissect the rationalised psychopathy of Western civilisation
