Arlette: Metal Gear SolidSalena BarryArtReview01 November 2023In ‘José’ at Rose Easton, London, the artist considers the culture and experiences that have shaped her and her practice
The Personal, Communal or Natural Histories of ClaySalena BarryArtReview24 October 2023In ‘Inventing the Rest’ at Maximillian William, London, three artists use the material to bridge between the temporal poles of the future and the past
Turner Prize 2023 Review: Coming Out the Other EndSalena Barryartreview.com29 September 2023The four nominated artists explore the power of community to bind and divide
The Blk Art Group: How Much Has Changed?Salena BarryArtReview30 June 2023A new survey of the group’s work and the injustices they faced offers a bittersweet viewing experience tinged with both pride and sadness
Karms Thammatat and the Mirage of PerfectionSalena BarryArtReview11 May 2023In a new show at Unit, London, distortedly juvenile characters inhabit scenes that are less paradise than purgatory
Wynnie Mynerva’s Bloodbath ArtSalena BarryArtReview24 February 2023In ‘Bone of My Bones, Flesh of My Flesh’ at Gathering, London, the artist directs colours – browns, pinks, taupes, crimsons – to strike and bleed out onto each other with vicious force
Nikita Gale: “Ruin Can Be Elegant”Salena BarryArtReview30 August 2022From the climate emergency to systems of authority, the artist’s work is focused on foregrounding troubling backgrounds
