The Disordered MuseumSarah JilaniArtReview13 September 2024How to decolonise the Western museum model? Françoise Vergès advocates disordering, decentring and dispersing it
‘Gaza 2035’ Is an Old Colonial Fantasy With a Futuristic SpinSarah Jilaniartreview.com18 June 2024A recent document reveals Israel’s ‘Gaza 2035’ vision, which aims to turn it into a manufacturing hub for the region. We’ve seen this before
Ahlam Shibli Bears Witness For, and With, Palestinian LivesSarah JilaniArtReview11 June 2024What is an image of Palestine? What can any image say about a continuous history of occupation, violence, identity and displacement?
Why We Need to Change the Art-Repatriation DebateSarah JilaniArtReview17 March 2023The recent weaponisation of ‘universality’ in the debate reveals that the old colonial lie of European exceptionalism is alive and well
Jala Wahid Exposes Imperialism’s CoverupsSarah JilaniArtReview Asia27 February 2023The artist’s work speaks to how imbalances of industrial power and wealth have shaped all of our lives
Cecilia Vicuña’s Incomplete ElegySarah Jilaniartreview.com13 October 2022The Chilean artist’s Turbine Hall commission is an assertion of cultural resilience and ecological emergency – but leaves something to be desired
Work of the Week: Mona Hatoum’s ‘Kapan Iki’ (2012)Sarah Jilaniartreview.com28 July 2022The Lebanese-born Palestinian artist’s sculpture invites us to do away with false distinctions between the psychic and the political
