Tom Morton

Chris Ofili’s Subsumed Sins

Tom Mortonartreview.com03 July 2023

A new exhibition conjures a voluptuous unearthly realm where transgression gives way to fantasy in disorientating works that dazzle the viewer

The Great Beauty, 2020-2023, oil and charcoal on linen, 200 x 310 cm, 78 3:4 x 122 in © Chris Ofili. Courtesy the artist and Victoria Miro

Cathie Pilkington Reincarnates Equestrian Sculpture

Tom MortonArtReview15 June 2023

‘Weird Horses’ at Karsten Schubert, London rebirths the form as something tentative, tender and conceptually fleet of foot

Peter Doig’s Will to End

Tom MortonArtReview17 April 2023

The first living artist to solo at London’s The Courtauld Gallery, Doig presents in his paintings a series of beguiling, fugitive, oddly mournful visions

Mohammed Sami in the Theatre of Memory

Tom MortonArtReview24 March 2023

Sami’s paintings at Camden Art Centre, London present a vision of a past on perpetual replay

The Masculine Vulnerability in Ken Kiff’s Daft, Infectious Paintings

Tom MortonArtReview25 January 2023

‘Man, Bird and Tree’ at Carl Freedman Gallery, Margate provides a welcome reminder of a superlative colourist and storyteller of postwar British painting