Louise Bourgeois’s Body ClockChiara WilkinsonReviewsartreview.comMarch 19, 2026A new exhibition at PoMo Museum in Trondheim centers around the vibrant gouaches created towards the end of the artist’s life
Jan Vorisek’s Flaccid ColumnsMia SternReviewsArtReviewMarch 19, 2026The artist’s détournement of plastic column moulds falls just short of providing a meaningful critique of global capitalism
Glasgow International announces full 2026 programmeArtReviewNewsartreview.comMarch 19, 2026The festival will take place from 5 to 21 June under the new direction of Helen Nisbet
So That’s Banksy. Anyway…J.J. CharlesworthOpinionartreview.comMarch 18, 2026The celebrity-anonymous artist has finally been unmasked. Good. Now we can stop talking about him
Museum as Dreaming MachineRefik AnadolFeaturesArtReviewMarch 18, 2026A lot of energy goes into adapting spaces that were designed for a fundamentally different relationship between art and audience
Museum as Networked ModalityCharlotte KentFeaturesArtReviewMarch 18, 2026The question isn’t simply whether digital art needs museums, but whether museums might learn from these artists and their hybrid practices
The Unsettling MuseumSharmini PereiraFeaturesArtReviewMarch 18, 2026Who decides what counts as worthy of preservation, to be collected, and moreover who benefits from it?
The Emanent Museumfarid rakunFeaturesArtReviewMarch 18, 2026Museums are just one apparatus trying to capture culture, alongside many more
The Collaborative MuseumDaisy NamFeaturesArtReviewMarch 18, 2026They may seem like the least pressing of our worries today, but we absolutely need museums
The Contradictory MuseumEugenio ViolaFeaturesArtReviewMarch 18, 2026Museums do not operate in abstraction; their relevance is inseparable from the societies they inhabit
