ATINATI’s Cultural Center: Restoring Georgia’s Artistic Memory Through Merab AbramishviliArtReviewPartnership with ATINATI's Cultural CenterDecember 12, 2025Merab Abramishvili – Transparent Memory is on view through 31 January
Tate director Maria Balshaw to step downArtReviewNewsartreview.comDecember 12, 2025Maria Balshaw will step down next spring
Barbican to close for renovation in 2028ArtReviewNewsartreview.comDecember 12, 2025The first phase of construction is expected to be completed in 2030, ahead of the Barbican’s 50-year anniversary in 2032
Young In Hong: Look But Don’t TouchAndrew CummingsReviewsDecember 12, 2025In her two- and three-dimensional works, Young In Hong channels the possibilities of sound into colour, texture and form
Ceal Floyer, conceptual artist, 1968–2025ArtReviewNewsartreview.comDecember 12, 2025The Pakistan-born artist has died after a long battle with illness, Esther Schipper gallery has announced
The Year AI Captured ArtMartin HerbertThe Year in Reviewartreview.comDecember 12, 2025The year in art: In the cursed year 2025, art staged the increasing centrality of a technological revolution that most people didn’t ask for but can’t escape
‘Childhood as Studio Scene’: A Poem by Tishani DoshiTishani DoshiNew Poemsartreview.comDecember 11, 2025‘If only / we could face the squad together, arms a riot / of willows, lifting and rising against the flood’
Rijksmuseum expands to EindhovenArtReviewNewsDecember 11, 2025The new satellite branch is expected to open in six to eight years
Review: ‘Kromosho’ by Munem WasifPramodha WeerasekeraBook ReviewsArtReview AsiaDecember 11, 2025This collection of stories inspired by Old Dhaka depicts urban life informed by colonial histories and political instability
Make Something From NothingAmber HusainThe Year in Reviewartreview.comDecember 11, 2025The Year in Eating: In 2025 we ought to be asking not just why ‘thin is in’, but more specifically why appetite should now be out
