This year has been business as usual for the founder of White Cube, who focused on consolidating a growing empire following the opening of two new spaces, in Seoul and New York, last year (joining ones in London, Hong Kong and Paris). Aside from continued support for YBA veterans (with whom Jopling made his name during the 1990s), including a much-lauded solo by Tracey Emin in London, the dealer represents some of the most sought-after artists working in the US, including Julie Mehretu and Theaster Gates (who presented in New York at the beginning of the year). The roster expanded on both ends to welcome twenty-eight-year-old painter Alia Ahmad and artist, curator and activist Howardena Pindell, now in her eighties. On the less shiny side of things, the gallery has faced criticism for sacking its team of invigilators (mostly artists and students) and replacing them with security guards – citing ‘a general trend across similar galleries that are moving away from visitor engagement to visitor management’. The London gallery closes out this year with a much-anticipated exhibition of over 30 key works by Jeff Wall.
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