New York gallerist Zach Feuer is one of those before-the-age-of-thirty success stories that are great to read about if you are before the age of thirty. Since his graduation from art school in 2000, the New Jersey native has opened a successful gallery in Chelsea (LFL), bought out his two partners, renamed the gallery after himself (Zach Feuer Gallery) and moved it to an even better location. He boasts partnerships in the Kantor/Feuer Gallery in LA and in London’s recently established Brown Gallery, run by his former director Kimberly Brown, and in 2002 was a co-founder of NADA, the New Art Dealers Alliance, which operates a satellite fair during Art Basel Miami Beach. Much interest focused on Feuer, naturally, is directed at his list of artists, and his stable – which includes Dana Schutz, Jules de Balincourt and Anton Henning – is as young, promising and publicityfriendly as he is. Schutz, for example, is widely discussed in New York for her reinvigoration of largescale, colour-soaked painting, and a number of Feuer’s artists showed work in the American art surveys – both Saatchi’s and the Serpentine’s – that opened in London last year. It seems only a matter of months before the ‘relative newcomer’ graduates to ‘veteran dealer’.