Future Greats 2023: Eimear WalsheChris Fite-WassilakArtReview08 February 2023Selected by Chris Fite-Wassilak
Alan Moore’s Overlit ‘Illuminations’Chris Fite-WassilakArtReview16 January 2023There is no between-the-lines in this collection of nine stories
Jeffrey Gibson’s Indigenous FuturismChris Fite-WassilakArtReview06 October 2022In joyful, speculative work, the artist unpicks and repatterns mythologies around the depiction of native cultures
The Long Goodbye: ‘Pop Song’ by Larissa Pham, ReviewedChris Fite-WassilakArtReview Asia21 July 2022Capturing the youthful trajectory of desire, orientation, earnestness and experience
The Gut-Wrenching Art of Dafna MaimonChris Fite-WassilakArtReview22 February 2022The artist places us inside the body and asks us to have a good, mucky feel around
Carla Lonzi’s Farewell to CriticismChris Fite-WassilakArtReview18 February 2022A first translation of her 1969 ‘Self-Portrait’ sees the writer and feminist activist dissect the role of the critic
Freelancer’s Delight: Rosa Aiello’s ‘Caryatid Encounters’Chris Fite-WassilakArtReview25 January 2022The artist explores the worlds of freelance and precarious labour, and the effects that they have on workers’ ideas of self and wellbeing
