Carla Lonzi’s Farewell to CriticismChris Fite-WassilakArtReview18 February 2022A first translation of her 1969 ‘Self-Portrait’ sees the writer and feminist activist dissect the role of the critic
Freelancer’s Delight: Rosa Aiello’s ‘Caryatid Encounters’Chris Fite-WassilakArtReview25 January 2022The artist explores the worlds of freelance and precarious labour, and the effects that they have on workers’ ideas of self and wellbeing
Why London’s Underground Art Scene Is DisappearingChris Fite-WassilakArtReview08 October 2021With the city’s commercial artworld looking increasingly homogenised, its independent spaces increasingly commercialised, can the capital preserve its diversity?
The Uncanny Properties of Print: Michael Snow’s ‘Cover to Cover’Chris Fite-WassilakArtReview22 July 2021Accordioned depictions of sitting, walking, even doing nothing, become extended meditations on how we experience the world
Artist Gelare Khoshgozaran Maps the Psychic Effects of the Forever WarChris Fite-WassilakArtReview02 March 2021The Los Angeles-based Iranian filmmaker opens up a brave new world of contemporary storytelling
Ines Schaber, Aby Warburg and Knowing When to Look AwayChris Fite-WassilakArtReview18 November 2020A contemporary project considers the use of sacred historical imagery, renegotiating our archival and colonial impulses
Monkey See, Monkey Do: Artist Ollie Dook Redefines What Makes Us ‘Human’Chris Fite-WassilakArtReview21 October 2020The party’s over – the artist’s animated and meticulously digitally rendered animals are here to tell us we’re not so special