Marianna Simnett: Between Femininity and MonstrosityEmily MayArtReview21 November 2023‘GORGON’ at HAU Hebbel am Ufer (HAU2), Berlin attempts to modernise the titular mythological creature’s creation myth in AI projections
The Echo Chamber of ‘Postinternet Dance’Emily MayArtReview10 July 2023What is the point of staging popular online dance styles in a gallery context only for them to be filmed and uploaded back to their native realm?
Alexis Blake’s Glass CeilingEmily MayArtReview23 March 2023The artist combines visual art, dance and performance to address how women are represented
Leila Hekmat Recasts ‘Female Hysteria’ as a Positive ForceEmily MayArtReview29 December 2022‘Female Remedy’ at Haus am Waldsee, Berlin sets a satirical, candy-coloured stage for reflecting on society’s expectations of what a woman is and isn’t
Michele Rizzo: the Healing Power of RaveEmily Mayartreview.com08 October 2021Tuning into the body at KW Institute for Contemporary Art, Berlin, for the premiere of the artist’s performance ‘REACHING’
