Gabriel Massan’s Decolonial GamesJ.J. CharlesworthArtReview19 October 2023Alongside various collaborators at the Serpentine Gallery, London, Massan asks what we want the ‘developing world’ to develop into anyway
Philip Guston and the Politics of Painted ImagesJ.J. Charlesworthartreview.com13 October 2023Guston’s retrospective at Tate Modern has finally opened, with the help of heavy handed curators
Casey Reas and Art After the Crypto CrashJ.J. CharlesworthArtReview30 August 2023Crypto has crashed and burned, but NFT visual culture is the better for it, and here’s why, says the pioneering artist and programmer
The ‘Dis-Possession’ of ArtJ.J. CharlesworthArtReview10 August 2023A new book by David Joselit considers the idea of property as a defining aspect of modern art
The Hazy Outlines of Brian Dillon’s AffinitiesJ.J. CharlesworthArtReview08 June 2023The thorny question of personal taste is unfolded by the Irish art critic in an exploration of what it means to be drawn to one artwork over another
The Uncanny Imaginary of Jonas Lund’s AI Corporate WorldJ.J. CharlesworthArtReview31 May 2023The Swedish artist’s satirical rendering of the modern creative workplace raises pointed questions about the true originality of much human artistic output
Tate Britain’s Rehang: A Zombie Social Art HistoryJ.J. Charlesworthartreview.com25 May 2023The British gallery’s first rehang in 10 years reveals Tate Britain’s real problem: it doesn’t really know if it’s relevant to anyone anymore
