‘SLOW DANS’ Review: Elizabeth Price’s Haunting Video TrilogyJ.J. CharlesworthArtReview08 October 2020The British artist’s vision of our postindustrial and technocratic world takes on a sharper edge
Philip Guston’s KKK Paintings Must Be Shown – But Not as Pawns in the Culture WarsJ.J. Charlesworthartreview.com02 October 2020Museums now cower from anything that (they imagine) will bring them more negative publicity
McKenzie Wark, ‘Sensoria’ Review: What Is the Point of Scholarship?J.J. CharlesworthArtReview Asia25 September 2020In her latest book, Wark reflects on 19 writers rethinking the effect and evolution of technocapitalism on human consciousness
Bail Out Artists, Not Arts ManagersJ.J. Charlesworthartreview.com28 July 2020Bailing out arts venues doesn’t really amount to much if those venues can never really reopen
Life and Death: the Best Video Art to Watch OnlineJ.J. Charlesworthartreview.com10 July 2020Neïl Beloufa’s prophetic satire about a hallucination-inducing pandemic (and the elites in charge); Heather Phillipson memorialises our cultural exhaustion; and Rehana Zaman on feminism and solidarity
What Might the Artworld’s ‘New Normal’ Look Like?J.J. Charlesworthartreview.com30 June 2020The same, but a bit worse? The confluence of new culture wars and institutional precarity is creating a new class of ‘activist patron’
‘For Real’: London Galleries ReopenJ.J. Charlesworth17 June 2020James Turrell’s euphoric voids, Paul Klee’s messages to the future and Charles Ray’s aluminium tractor – commercial galleries are back in business
