Robot Rights and Android DreamsJamie Sutcliffeartreview.com10 November 2023New on Netflix, Naoki Urasawa’s Pluto resonates in a world at war
The Difficult Labour Relations Behind Commercial AnimationJamie SutcliffeArtReview20 October 2023As cartoons and animated bodies stretch, splat and spin, what contortions of labour are going on behind the scenes?
What’s Left for Art in a Biocybernetic Era?Jamie SutcliffeArtReview07 September 2023Animation and gaming design studios aren’t just for entertainment: they’re a geneticist’s lab for producing our spliced biocybernetic future
Danielle Brathwaite-Shirley’s Videogame Arcade Celebrates Black Trans LifeJamie Sutcliffe23 February 2022‘She Keeps Me Damn Alive’ at Arebyte Gallery, London, is a game in the form of an exhibition
