Notes from New York: Group Shows, EverywhereJenny Wuartreview.com01 July 2024June offered a surprisingly robust sampling of artworld staples and emerging talent, for those willing to slog through record-breaking heat
Notes from New York: Barthes FairJenny Wuartreview.com12 June 2024As art lovers converged on the city for its high fair season, Jenny Wu found resolve in the quiet among the chaos
Catalina Ouyang’s Torture GardenJenny WuArtReview11 June 2024‘Trick’ at Lyles & King, New York displays natural and industrial specimens as if they were fetish objects
‘The Harlem Renaissance and Transatlantic Modernism’ Review: Centre and MarginJenny WuArtReview22 May 2024A new show at The Met revives a time in which collaborative cultural production thrived not only from consensus but also from debate
Louis Osmosis’s Sad AmericaJenny WuArtReview30 April 2024‘Queues’ at Kapp Kapp, New York is deeply self-aware, self-critical, self-sabotaging – and yet somehow quite endearing
Thomas Hirschhorn’s Philosophical WarJenny WuArtReview15 April 2024The artist’s single-work exhibition, ‘Fake it, Fake it – till you Fake it.’ at Gladstone Gallery, New York, captures our collective online disquiet
Whitney Biennial 2024 Review: Baby StepsJenny WuArtReview21 March 2024The 81st edition reflects the biennial’s own function as a time capsule – what do we want to say about our present reality?
